In Oonko Sweater, music plays a central role, bringing life and emotion to the simple love story.

 On July 13, 2023, Nabin Chauhan sent me a Messenger invite to a film announcement event hosted by his production house, Artmandu. As someone who’s been following Artmandu’s work closely for years, I was excited to go.


The event featured a live performance by Sujan Chapagain, who sang Phool, followed by the official announcement of the movie title: Oonko Sweater – The Woolen Sweater. It took two years for the film—written and directed by first-time filmmaker Nabin Chauhan—to make it to the big screen.


Now playing in cinemas across the country, Oonko Sweater is receiving mostly positive reviews.


A Love Story in the Hills

Oonko Sweater, produced by Artmandu, tells a simple but heartfelt intercaste love story between Dharanidhar Kafle (played by Bipin Karki) and Phool Gurung (played by Miruna Magar). The film is set in the beautiful hills of Panchthar, eastern Nepal, and it captures that special feeling of being loved by someone who truly matters.


The connection between the two lead characters feels authentic, showing the strength and sincerity of true love. While the overall story may not seem very new or groundbreaking, the film stands out thanks to its strong acting, emotional dialogues, touching background score, and music—all of which keep the audience engaged.


The chemistry between Dharanidhar and Phool feels real. Their conversations flow naturally and might even remind viewers of their own early romantic days. Both actors deliver great performances, though Karki’s Limbu accent isn’t always consistent—it noticeably shifts between present-day scenes and flashbacks.


Still, after iconic roles like Bishnu Hari in Hari, Bhasmey in Pashupati Prasad, and Phanindra Timsina in Jatra, Dharanidhar Kafle adds another memorable character to Bipin Karki’s list.


Supporting roles also shine: Alex Parash as Dambar Kafle and Parikshya Limbu as Ikshya Limbu give solid performances, not just in their acting but also in the film’s dance sequences.


The cinematography by Chintan Rajbhandari is straightforward but effective. The camera work complements the tone of the story, beautifully capturing both the landscapes of Panchthar and the emotional moments of the characters.

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